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Luke for the hyper-anthemic “Since U Been Gone.” While the verses bop along with a thumping backbeat and sparse guitar lines, it’s the chorus where Clarkson drives this home, singing with an empowering sense of complacency in the wake of a breakup.įour notes/four syllables are all you need to invoke one of the most popular songs of all time.Įlvis made dozens of classic songs in his career, but when it comes to pure catchy hook heaven, the repeated line “You ain’t nothin’ but a hound dog, cryin’ all the time” is inescapable. The song is essentially all chorus, but it’s when the hook actually comes in that it reaches peak earworm.įor her first notable hit post- American Idol, Kelly Clarkson linked with Max Martin and Dr.
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?Gloria Gaynor ruled the discotheque with her breakup comedown “I Will Survive,” perhaps one of the grooviest pick-me-ups after the demise of a relationship. Long before T-Pain and Future co-opted Auto-Tune, Cher was the first pop artist to employ the filter on her smash single “Believe.” Without the effect, the hook is strong, but there’s something about computerizing her vocals that adds a dimension to the chorus that still feels futuristic, years after its release. Proof? Just check out any game at Fenway Park. Its hook may be short, but sing just one note and whomever you’re with is practically compelled to “bah bah bah” the phrase out with you.
DI DI DUM DUM SONG MOVIE
In hindsight, it was so easy. ?The tune may have been originally written for a kids’ movie (2013’s Despicable Me 2), but the uptempo, pulsating beats quickly got stuck in the heads of everyone who listened - parent or child. The 1981 hit’s chorus - as with many tunes on this list - is lyrically simple, but those sliding ohhhh-ohs, backed by an array of instruments, are destined to never be forgotten.
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The tune is a karaoke mainstay for a reason - it inspires everyone to sing along. But it’s because there hasn’t been a pop hook in the past five years that hits all the right notes: uplifting string instrumentation, zippy percussion, airtight melodies and lyrics that feel just millennial enough to appeal across demographics.Ģ0. “Call Me Maybe” came out of nowhere, all thanks to a Justin Bieber co-sign and instant virality. Madonna has given fans plenty of hit singles over the years, but her catchiest hook may be the chorus of “Prayer,” which practically demands you stand up and clap along. Consider it the perfect singalong section from Outkast’s catalog. ?Whether it’s the rampant handclaps or splotchy synths, the chorus for “Hey Ya!” provides a satiating break from the breathless verses that bookend each side.